Joseph Kosinski had one instruction for the sound team behind his latest feature "F1": It needed to be as immersive as possible, and he wanted the audience to feel like they were in the car. Except, ...

Add Yahoo as a preferred source to see more of our stories on Google. "F1: The Movie" (Courtesy: Warner Bros Pictures / Apple Original Films) For re-recording mixers Juan Peralta and Gary A. Rizzo, ...

Sound editor Al Nelson wanted to recreate the experience of a Formula One race: “It’s something you feel in your bones.” By Beatrice Verhoeven Awards Editor F1 sound editor Al Nelson and his team ...

Apple Original Film’s “F1” is many things. It is, for one, the story of Sonny Hayes (Brad Pitt), a washed-up Formula One driver who is recruited by a failing team, to help a hotshot young driver ...

How do you transport a movie audience to a racetrack, recreating the visceral experience of roaring engines, the ear-splitting squeal of tires on pavement and the screeching of brakes? That was the ...

The Oscar-nominated sound team behind "F1" talks with IndieWire about forming a great audio "pit crew." The sound design of “F1” plays no small part in the movie’s emotional impact, and the sound team ...

For re-recording mixers Juan Peralta and Gary A. Rizzo, auto-racing fans were a key audience they hoped to please with their work on “F1.” They weren’t the only key audience, however. “We wanted to ...

Joseph Kosinski had one instruction for the sound team behind his latest feature “F1”: It needed to be as immersive as possible, and he wanted the audience to feel like they were in the car. Except, ...